GG Allin | |
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1992 snapshot of GG Allin shown here from the documentary Hated: GG Allin and the Murder Junkies, |
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Background information | |
Birth name | Jesus Christ Allin |
Also known as | GG |
Born | August 29, 1956 , U.S. |
Origin | Lancaster, New Hampshire |
Died | June 28, 1993 , U.S. |
(aged 36)
Genres | Punk rock, hardcore punk, shock rock, country and western, spoken word |
Occupations | Musician, singer-songwriter |
Instruments | Vocals, drums, guitar |
Years active | 1976–1993 |
Labels | Mountain Records, Ax/tion Records, Blood Records, Onge Records, ROIR, Black and Blue Records, Homestead Records, Awareness Records, Alive/BOMP! Records |
Associated acts | Dee Dee Ramone, Little Sister's Date, Malpractice, The Jabbers, The Scumfucs, The Cedar Street Sluts, MC2 (AKA The Motor City Badboys), J Mascis, Mark Kramer, Carolina Shitkickers, Bulge, Criminal Quartet, The Texas Nazis, David Peel, Bloody Mess & The Skabs, Antiseen, The Murder Junkies, The Southern Baptist |
Website | Official website |
Kevin Michael "GG" Allin (August 29, 1956 – June 28, 1993) was an American punk rock singer-songwriter who performed and recorded with many punk groups during his career. GG Allin is perhaps best remembered for his notorious live performances which typically featured transgressive acts, such as Allin defecating and urinating onstage, rolling in feces and often consuming excrement, performing naked, committing self-injury, and attacking audience members. Although more notorious for his stage antics than for his music, he recorded prolifically, not only in the punk rock genre, but also in spoken word, country, and more traditional-style rock. His extremely politically incorrect lyrics, which often covered subjects such as misogyny, pedophilia and racism, polarized listeners and created varied opinions of him within the highly politicized punk community. Though he had a devoted cult following, Allin's music was often poorly recorded and produced, and received mostly negative reviews from critics.[1][2][3] However, his status as a cult figure is such that a number of established artists have covered his songs. Among them, Faith No More, CKY, the 69 Eyes, Beck, Bus Station Loonies, Queens of The Stone Age, The Lemonheads and Dum Dum Girls.
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GG Allin was born Jesus Christ Allin at Weeks Memorial Hospital in Lancaster, New Hampshire, the second and youngest son born to Merle Colby Allin, Sr. and Arleta Gunther.[1] He was given this messianic name because his father, then 33 years old and a fanatical Christian, told his wife, then 20 years old, that Jesus Christ himself had visited him and told him that his newborn son would be a great and all powerful man in the vein of the Messiah.[1][4]
His older brother Merle Colby Allin, Jr. was unable to pronounce "Jesus" properly and kept calling him "Jeje", which became "GG". The family lived in a log cabin with no water or electricity in northern New Hampshire. Allin's father, who forbade all conversation in the home after dark, was a religious fanatic and an antisocial man, and was physically abusive towards his wife and children, though GG himself never used this as an excuse for any of his personal troubles. At age 12, Allin contracted Lyme disease and claimed to have never fully recovered from the effects of having the disease at such a young age.
In 1961, Arleta filed for divorce from Merle Sr., as his mental instability was worsening. GG Allin and his brother were from that time raised by their mother and stepfather, and settled in East St. Johnsbury, Vermont in 1966.[1] Arleta changed her younger son's legal name to Kevin Michael Allin on March 2, 1962 during his first year of schooling. Arleta had allowed his birth name to stand until this point, but finally changed it in order to give her son a chance at a normal, mockery-free childhood.
Allin was a poor student at school, being placed in special education classes and having to repeat the third grade. According to his older brother, Allin was teased by fellow students due to not fitting in.[5] In his sophomore year he began attending school in drag, which he said was inspired by the New York Dolls.[5] When asked about his childhood, GG has been quoted as saying "Very chaotic. Full of chances and dangers. We sold drugs, stole, broke into houses, cars, etc. Did whatever we wanted to for the most part - including all the bands we played in. People even hated us back then."[6]
Allin's earliest recorded musical endeavors were as a drummer. He had a penchant for theatrics early on. While performing with his band at a high school prom he pulled down decorations evoking positive reaction from the crowd.
Allin graduated from Concord High School in Concord, Vermont in 1975 and shortly after formed the band Malpractice with several high school friends and his older brother Merle. He was the drummer for Malpractice until the band separated in 1977. He became the drummer for the band Stripsearch, writing and performing the songs 'Galileo' and 'Jesus in New York'.
He performed as frontman for The Jabbers (1977 – April 1984) in which Allin played drums and performed vocals. Allin's 1980 debut album was Always Was, Is and Always Shall Be. Allin was a punk rock frontman akin to Iggy Pop and Stiv Bators who played music that was catchy, a danceable mix of power pop and hardcore punk. The lyrical content was often brash yet humorous, and was not yet outrageously offensive. At one point industry veteran (The Dead Boys producer) Genya Ravan managed him. Tension within The Jabbers mounted as Allin grew uncontrollable, uncompromising and vicious. The Jabbers disbanded and parted ways. Allin's drug use started during this period.
Allin fronted many acts during the early to mid 1980s. This includes albums from The Cedar Street Sluts, The Scumfucs in 1982 and The Texas Nazis in 1985. Allin remained in the underground hardcore scene yet was not part of the east coast hardcore scene. His performances in Manchester, NH with the Cedar Street Sluts earned him the nickname of "the madman of Manchester."
Allin gained wider attention with the Reachout International Records (ROIR) cassette-only release of Hated in the Nation (1987) containing tracks from Allin's out-of-print catalogue with The Jabbers, The Scumfucs and Cedar Street Sluts. The tape also featured several in-studio and in-concert recordings with an all-star band assembled by producer Maximum RocknRoll and early Allin patron Mykel Board. This band featured J Mascis of Dinosaur Jr. on lead guitar and Bongwater record producer/musician Mark Kramer on bass.
Tracy Deneault was a teenage girl from Garland, Texas whom Allin began seeing after Sandra Farrow divorced him. Their daughter Nico was born on March 13, 1986. Nico chose to distance herself from her family. [7][8] Allin and Tracey Deneault never married.
By the mid to late 1980s, Allin was addicted to heroin and alcohol and generally abused any intoxicants provided to him, sometimes taking pills without even asking what they were. His hygiene was atrocious and he rarely bathed. At this point, Allin also began eating laxatives before performances - as defecation was becoming a regular stage act. Allin described himself as "the last true rock and roller". By this, he meant that rock and roll music itself had started as an embodiment of danger, anti-authoritarianism, rebelliousness but had become largely taken over by corporations and business concerns. Allin's music and performances were thus meant to return rock and roll to what he saw as its roots, reclaiming it from the corporate system.
Allin idolized country music legend Hank Williams, Sr, and saw himself as a kindred spirit. Both were relative loners and outsiders, both were habitual users of intoxicants, both lived with few, if any, possessions and both traveled the country relentlessly. GG Allin's acoustic output, documented particularly on the EP The Troubled Troubador, was heavily influenced by Williams. He recorded his own rewrites of Hank Williams, Jr.'s "Family Tradition" and David Allan Coe's "Longhaired Redneck", calling his own versions "Scumfuc Tradition" and "Outlaw Scumfuc" respectively. Later, Allin also released another country album Carnival of Excess; this is probably his most professionally recorded and mixed album.
During this period, Allin collaborated with Bulge (also known as Psycho under a different name, on the album Freaks, Faggots, Drunks and Junkies), The Aids Brigade (the 7" EP Expose Yourself To Kids) and The Holymen (You Give Love a Bad Name). Allin also began performing many spoken word pieces. Video footage of these are available but rare. Unwilling to seek steady employment, Allin supported himself by selling his own records. He also claimed to have committed criminal acts such as breaking and entering, robbery and mugging. Allin was also fascinated with serial killers. He wrote to and visited John Wayne Gacy in prison a number of times and Gacy painted a portrait of Allin, which became the album cover to the soundtrack of the film, Hated: GG Allin And The Murder Junkies (see murderabilia). When asked about Allin, Gacy said: "G. G., Great kid - love'em to death - but if he doesn't stink like the worst pissy-ass wino."
By this point, Allin's performances, which often resulted in considerable damage to venues and sound equipment, were regularly stopped after only a few songs by police or venue owners. Allin was charged with assault and battery or indecent exposure a number of times. His constant touring was only stopped by jail time or by long hospital stays for broken bones, blood poisoning, and other physical trauma.
Another attraction to Allin performances was his continual threats of suicide. In 1988, Allin wrote to Maximum RocknRoll stating that he would commit suicide on stage on Halloween 1989. However, he was in jail when that day came. He continued his threat each following year but ended up imprisoned each following Halloween. When asked why he does not follow through with his threats, or sometimes his on-stage defecations, Allin stated, "With GG, you don't get what you expect—you get what you deserve."[9] He also stated that suicide should only be done when one had reached his peak, meeting the afterlife at his strongest point and not at his weakest.[10]
In late 1989, Allin was arrested and charged with rape and torture of a female acquaintance in Ann Arbor, Michigan.
In a psychological evaluation made as part of the trial,[11] Allin was judged as having at least average intelligence, and was described as "courteous, cooperative and candid". The unnamed evaluator noted Allin did not appear psychotic, and seemed comfortable with his unorthodox lifestyle. However, the evaluator asserted Allin did have behaviors consistent with masochism and narcissism, and displayed symptoms of borderline personality disorder and bipolar disorder.
Allin initially denied the charges, claiming the woman was a willing participant in sexual activities with him, only later changing her account of events.[12] According to Allin, he cut her, burned her, and drank her blood, however she did the same thing to him. Allin also claimed inconsistencies in the woman's statements to authorities supported his assertions, and the judge in the case agreed there were substantial inconsistencies in the woman's account.[12] Ultimately, however, Allin plea bargained to reduced felony assault charges,[12] and he was imprisoned from December 20, 1989 to March 26, 1991.
It was during this time in prison that Allin began feeling re-energized about his life and "mission", as he put it. He wrote and published The GG Allin Manifesto[13] (1990) during this period.
After his release from prison, Allin skipped parole to go on another tour, footage of which made it into Todd Phillips' documentary Hated: GG Allin and the Murder Junkies. The documentary also contained graphic scenes from other Allin appearances as well as interviews with Allin, his brother and fellow band member Merle Allin, and the Murder Junkies' naked drummer Dino as well as Prolific Cincinnati guitarist William G. Weber III with whom G.G. did some of his very best and professionally recorded collaborating and songwriting. The film came out in 1994 and was released on DVD in 1997. As of 2009 the film can be seen "On Demand" through many national and local cable providers.
During the 1990s GG Allin recorded his Murder Junkies album released by New Rose Records and featuring the band ANTiSEEN. This album contained ten musical tracks and ten spoken-word pieces. Other than Freaks, Faggots, Drunks and Junkies, Allin considered this album to be his most polished professionally recorded album that explored his persona and stated his philosophy on life. It was also during this period that Allin recorded the War In My Head - I'm Your Enemy album released on Awareness Records and featuring the band Shrinkwrap. This particular album consists of one 45-minute track that is a collage of spoken-word pieces which Shrinkwrap put to music.
Meanwhile, Allin's growing notoriety led to appearances on Geraldo, The Jerry Springer Show and The Jane Whitney Show. He was cheered and booed by fans and enemies at the same time. Merle appeared in the audience during a show, prompting Geraldo Riviera to comment, "That's a great mustache" (in reference to his Hitler-style "toothbrush" facial hair).
Allin died of a heroin overdose in Manhattan on June 28, 1993, in the Manhattan apartment of John Handley Hurt and Dwanna Yount, three days after attending the premiere of the documentary Hated, whose director gives an account of Allin's attendance in Bizarre magazine. He was found lying in an acquaintance's apartment on the night of the 29th but had actually died the previous night in his sleep. He was 36 years old. His last show was at a small club called "The Gas Station" (which was inside of a former gas station), located across the street from Hurt and Yount's apartment. Video footage of the soundcheck, concert, and aftermath is appended to the DVD release of Hated. During the show's second song the power went out, after which he trashed the venue, walked across the street entirely naked, and then continued on (now wearing shorts, but still covered in blood and feces) through the neighborhood, followed by a large group of fans whom he both discouraged and openly embraced.[14] On VH1's Freakiest Concert Moments, Allin's final show ranked at number four.
During the night at the apartment, Allin snorted the large amounts of heroin (and some cocaine) which killed him (contrary to legend, Allin was not injecting that night). Those in the apartment posed for photos with Allin around 2 a.m., not knowing that he was already in the early stages of respiratory failure (one later told police that he was snoring at the time the pictures were taken, so he could have been mistaken for having fallen asleep).[15] The next morning, some noticed that Allin still lay motionless in the same place where they had left him and called for an ambulance. Allin was pronounced dead at the scene.[16][15]
There were two wakes for GG, one was a traditional Irish wake and the other was his rock and roll wake, according to GG's mother Arleta. [17] At his funeral, Allin's bloated, discolored corpse was dressed in his black leather jacket and trademark jock strap. He had a bottle of Jim Beam beside him in his casket, per his wishes (openly stated in his self-penned acoustic country ballad, "When I Die"). As part of his brother's request, the mortician was instructed not to wash the corpse (which smelled strongly of feces), or apply any makeup. The funeral became a wild party. Friends posed with the corpse, placing drugs and whiskey into its mouth. As the funeral ended, his brother put a pair of headphones on Allin. The headphones were plugged into a portable cassette player, in which was loaded a copy of The Suicide Sessions. The video of his funeral is widely available for purchase, and is an extra feature on the Hated DVD and some bootleg VHS tapes.[16] Allin was buried in mother Arleta's plot beside his grandparents.
His grave is frequently vandalized with urine, cigarette butts, feces and alcohol by fans,[18] an act that is greatly discouraged by GG's mother Arleta. [19]
At the time of his death, Allin was making plans for a spoken-word album[20]. He also mentioned a somewhat unlikely European tour, enthusiastically talking about it in the hours before his death.[15]
Through his lyrics, television appearances, and documentary, GG Allin expressed an archaically unified philosophy closely resembling the libertine beliefs of the notorious French writer Marquis de Sade, though Allin never expressed a particular liking for de Sade's works. Allin believed that he was the rock and roll messiah, come to reclaim punk and rock'n'roll music from commerciality and corporatism. During the height of his notoriety in the early 1990s, Allin had a large following of female fans with whom he had sexual relations. On The Jane Whitney Show, Allin spoke freely of having a seventeen-year-old girl urinate in his mouth and having her watch him masturbate.[21]
Allin was an extreme individualist and anti-authoritarian, promoting lawlessness and violence against police officers in many of his lyrics, and his essay, The GG Allin Manifesto, was intended to summarize his personal philosophy. He stated on Geraldo that he believed that his body was a temple of rock and roll, and his flesh, blood and bodily fluids are a communion to the people. Another reason he gave for his onstage antics was that he wanted to draw a parable between his actions and "a society that's going crazy with violence." He has also said that if he didn't do his performances he would probably be a mass murderer.[22]
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